Finally caved and admitted that I’m never going to frame them all, so I’m putting the red-headed stepchildren up for adoption.
Pearl Jam were just beginning to gain a national profile when they taped their Unplugged special at Kaufman Astoria Studios in Queens on March 16th, 1992. They’d just wrapped a grueling European tour and had little time to prep. “We literally got off the plane from Europe, spent all day in a cavernous sound studio in New York, and did the show that night,” said bassist Jeff Ament. “It’s pretty powerful, and Ed’s singing great. Yet it’s kind of naive, which is awesome.” The group later said they wished they had more time to put together a whole set of newly arranged songs like Nirvana would do late the following year, but it’s still an amazing look at a band just starting to realize their own incredible power and range. ~ ‘MTV Unplugged’: The 15 Best Episodes, Rolling Stone
The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge. Whether it is obscuring state language or the faux-language of mindless media; whether it is the proud but calcified language of the academy or the commodity driven language of science; whether it is the malign language of law-without-ethics, or language designed for the estrangement of minorities, hiding its racist plunder in its literary cheek – it must be rejected, altered and exposed. It is the language that drinks blood, laps vulnerabilities, tucks its fascist boots under crinolines of respectability and patriotism as it moves relentlessly toward the bottom line and the bottomed-out mind. Sexist language, racist language, theistic language – all are typical of the policing languages of mastery, and cannot, do not permit new knowledge or encourage the mutual exchange of ideas.
click lower right to embiggen 😝